9
9. MAIN MIX MID tone control
This control gives you up to 12 dB boost or cut at 2.5 KHz with a "PEAKING" curve shape. Use it to add or reduce the
sound "presence" of the whole mix.
10. MAIN MIX LOW tone control
This control gives you up to 12dB boost or cut at 100Hz with a "SHELVING" curve shape. Use it to increase or reduce the
sound "punch" of the whole mix.
11. MAIN MIX level control
It controls the output level of the built-in speaker, of the STEREO LINE output and of the POWER OUT. It controls also
the level of the signal sent to the MONITOR OUTPUT just before its level control.
12. POWER OUT (75W auxiliary output)
This is a jack connector sending the amplied signal to an external passive speaker. Use always power cables to connect
the speaker and note that the minimum acceptable impedance is 4 ohm.
The JACK power output is wired as follows:
T
ip = + posive speaker terminal
Sleeve = - negave speaker terminal
13. STEREO LINE outputs
These are RCA connectors sending the MAIN MIX signal to a line level equipment, which could be a recorder or another
audio system. Please note that the level depends on the MAIN MIX control.
14. LEVEL METER
This meter shows the level of the signal sent to the outputs. To avoid excessive distoron, try to avoid the last RED "10"
LED to be connuously on.
15. MONITOR level control
It controls the signal level of the MONITOR OUT. This level depends from the MAIN MIX level.
16. MONITOR OUT
This is a jack connector sending the signal to a line level equipment, which could be a recorder or another audio system.
Each jack output is wired as follows:
T
ip = + posive or "hot"
Sleeve = shield or ground
17. PEAK detector
This LED shows 2 condions:
• always lighted = the eect is MUTED.
• ashing = too high input level, near to the overload of the eect input stage. In this case, reduce
the level of the FX sends. The PEAK LED ashes when the eect input signal is near to the A/D saturaon point of the
internal eect processor.
18. MUTE buon
Engage this switch if you want to mute the internal eect.
19. FX level control
It adjusts the level of the internal eect signal sent to the MAIN MIX.
20. PRESETS Selector
Rotate this detented switch to select the preset eect you want to use.
Preset descripons:
1. LARGE HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
tail, long pre delay and some early reecons. Works well with vocals, electric and acousc guitars, strings.
2. SMALL HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with short
tail, normal pre delay and increased early reecons. Works well with vocals, guitars, woodwinds.
3. LARGE ROOM - This type of reverb reproduces the more inmate ambience of natural room acouscs. Feature
very fast and scaered early reecons, long pre delay. Works well with vocals, woodwinds, strings.
4. SMALL ROOM - This type of reverb reproduces the more inmate ambience of natural room acouscs. Feature
very fast and scaered early reecons, short pre delay. Works well with vocals, ngered guitars, drums.
5. VOCAL 1 - Amazing reverb designed for vocals with a long tail.
6. VOCAL 2 - Amazing reverb designed for vocals with a dense tail.
7. VOCAL 3 - Amazing reverb designed for vocals with a short tail.
8. PLATE - This is a simulaon of metal plate reverb, as used on classic recordings from the '70s and '80s.
9. MONO DELAY - Typical mono delay.
10. STEREO DELAY 1 - Echo eect characterized with a short me.
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